As promised threatened, here's the tutorial/WIP thingy of Ezio in Venice! <: More than a tutorial, I'd say it's a peek into how I paint… c:
Hope you enjoy it! <: (Download it for full size! C
Program used: Photoshop (but it's the same with every painting software, I guess…) Brushes: chalk brush and oil brush Layers: background, lineart (hidden and then deleted almost right away), Ezio, overlay for the adjustments.
STEP 1: After filling the background with a light purple, I did a not-so-detailed lineart, then started painting on top of it with a chalk brush, just to block in the colours, especially in the face. Basically I started to get a feeling on where shadows and lights would fall.
STEP 2: I started using the oil brush, which is the only brush I used till the end of the piece. As you may see, I started detailing Ezio's face a bit. Note: I don't really start on the body until I don't get the face right… It's a quirk of mine, I guess… xD
STEP 3: FLIPPING! I can't stress enough how important it is, to check the balance of the image and somehow highlight what you're doing wrong… C:
STEP 4: now that I was kinda satisfied with the face, I moved on to the body. Since I wanted to keep a rough feeling, I didn't detail this part too much; if I want to be really accurate, I usually do a proper lineart first, instead of starting with blotches of colours… C;
STEP 5: more details on the clothes, especially his cape and shirt.
STEP 6/7: flipping again! C: More attention on the hood and its folds, and on the torso. I guess it was at this point I noticed the proportion were quite off, so I had to resize his cape-covered shoulder and "stretch" his body (using the resize tool and the warp tool, the latter mainly to adjust shape and positions of the red stitches on the shirt).
STEP 8: starting the background with blobs of colors just to get a felling on where buildings would be.
STEP 9: more details on the background.
STEP 10: blurred the bg using the "movement blur" C:
STEP 11: after rotating the bg a bit, because it wasn't in the right perspective, I created a new layer set on "overlay" and adjusted the colours here and there, especially on Ezio's face and the sky. Then I signed it and called it a day! C:
I hope I didn't bore you too much! C: Let me now if you have any questions! <:
Oh yeah, flipping's in an invaluable tool! C; To be honest, when I flip the first time I feel sick, 'cause my drawing usually looks horrible and decidedly unbalanced...XD But it's through the flipping than we can correct them, isn't it? <;
Comunque grazie! <: Ma altro che Leonardo! D: (se hai citato Leonardo perche' ll'immy raffigura Ezio e quindi AC2, sappi che guadagni punti stima! C; )
Haha, I thought that's traditional and I just go through steps 5 and 6, then returned to 5, looked closely, and go forward to artist description to see what's that nice trick, because part of me was saying that's impossible - then I understood that's digital Reaaaly nice artwork, looks like traditional (interesting brush!). Ezio always cute
To be honest, when I flip the first time I feel sick, 'cause my drawing usually looks horrible and decidedly unbalanced...XD But it's through the flipping than we can correct them, isn't it? <;
Comunque grazie! <: Ma altro che Leonardo! D: (se hai citato Leonardo perche' ll'immy raffigura Ezio e quindi AC2, sappi che guadagni punti stima! C; )
I hope it was helpful! <: